so if i choose to send a mix made by a console audio (not software BMD) , with the various MADI channel and other sources i send out on the recorder (connect with atem constella) by using the madi or direct via JaCK enter?
The front in the switcher has 40 buttons which you can use to regulate the preview and system outs with straight cuts or an car tackle your default transition. Indeed, you'll find 40 inputs and this matches the forty-enter HD-SDI spigots about the back again (Figure two, underneath), Just about every of and that is able to processing 12G-SDI UHD 4K video clip inputs.
To answer myself, the ml:mio performs flawlessly being an adapter between the Constellation as well as a Soundcraft mixer. We're also using a USB card inside the SC Performer into a laptop computer running Reaper when we'd like multitrack recording.
I feel all the HyperDeck types are effective at recording 16-channel audio. This was really a Regular grievance Together with the more mature HyperDeck types, as there was no approach to configure the amount of audio channels recorded, so they always recorded sixteen-channels.
"We are conscious that all ATEMs introduced just after Constellation 8K cannot be controlled by the initial broadcast panels.
Should the switcher doesn't aid the element there isn't any mixture of re-entry or cleanse feed precedence that is going to modify Bodily output configuration. Possibly some additional configuration might be unlocked by scripting?
ATEM Constellation 8K – this also supports not merely UHD 4K at 60fps but in addition 4320P at up to 60fps.
The SDI inputs will likely manage embedded audio and blend audio from all movie inputs. As well as the program outputs involve talkback, tally and digital camera Manage information and facts. Which means you are able to join any in the switcher SDI outputs again on the camera for program return, digicam Handle, and talkback.
Andy Coulthurst wrote:As there is absolutely no external LTC timecode - is the only process for syncing timecode via the Atem software ( and might you validate it syncs towards the PC time ? Or could it be just jam sync ?
What exactly I do is MADI out into an RME DigiFace Dante to transform it into Dante then combine in an A&H SQ6 then return software back again from the reverse way. You can do it with merely a MADI card but I've plenty of package that is Dante to ensure workflow is effective for me. Spherical journey is under 5mS.
And by far the most State-of-the-art atem with quite possibly the most Sophisticated audio mixer inside nonetheless just outputs ALLLLLL outputs with PGM stereo 2 channel audio blend..
ATEM Constellation 8K contains a compact 2RU rack mount design having a built-in control panel. This lets operation with the switcher, vital all through set up or for emergency use. Also involved can be a big LCD to help you see software output and change switcher configurations through on screen menus. Whilst only 2RU measurement, the rear of the switcher incorporates a massive 40 x 12G‑SDI inputs, 24 x 12G‑SDI aux outputs, plus balanced audio, Ethernet, RS‑422 Regulate and MADI digital audio excess inputs to The interior Fairlight audio mixer.
I experimented with employing OBS as a video switcher at just one position and had concerns with the output selected as fullscreen preview when monitors were being connected or disconnected (considering that Home windows would occasionally rearrange them) or when mousing around the taskbar on among the list of other monitors.
ATEM Constellation 8K characteristics 24 more info independently routable 12G‑SDI outputs that may be totally customized. All of such outputs are just like aux outputs, on the other hand they're far more potent as you can route any external SDI enter and all internal resources to any of these 12G‑SDI outputs. That’s versatile enough to operate impartial plan feeds, cleanse feeds, or outputs for on stage projectors and video clip walls.